Datacraft Sozaijiten Vol. 100 - The Sky and Iridescent Clouds

Datacraft Sozaijiten Vol. 100 - The Sky and Iridescent Clouds
200 Images | JPG | 2950×2094 | 159 MB

Datacraft Sozaijiten Vol. 100 - The Sky and Iridescent Clouds
200 Images | JPG | 2950×2094 | 159 MB

Art by Francesco Guardi
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Francesco Lazzaro Guardi (October 5, 1712 – January 1, 1793) was a Venetian painter of veduta. He is considered to be among the last practitioners, along with his brothers, of the classic Venetian school of painting.
Francesco Guardi was born in Venice into a family of lesser nobility from Trentino. His father Domenico (born in 1678) and his brothers Niccolò and Gian Antonio were also painters, the latter inheriting the family workshop after the father\’s death in 1716. They probably all contributed as a team to some of the larger commissions later attributed to Francesco. His sister Maria Cecilia married the pre-eminent Veneto-European painter of his epoch, Giovanni Battista Tiepolo.
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Art by Filippo Lippi
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Fra’ Filippo Lippi (1406 – October 8, 1469), also called Lippo Lippi, was an Italian painter of the Italian Quattrocento (15th century) school.
Lippi was born in Florence to Tommaso, a butcher. Both his parents died when he was still a child. Mona Lapaccia, his aunt, took charge of the boy. In 1420 he was registered in the community of the Carmelite friars of the Carmine in Florence, where remained until 1432, taking the Carmelite vows in 1421 when he was sixteen.[1] In his Lives of the Artists, Vasari says: \”Instead of studying, he spent all his time scrawling pictures on his own books and those of others,\” The prior decided to give him the opportunity to learn painting. Eventually Fra Filippo quit the monastery, but it appears he was not released from his vows; in a letter dated 1439 he describes himself as the poorest friar of Florence, charged with the maintenance of six marriageable nieces. In 1452 he was appointed chaplain to the convent of S. Giovannino in Florence, and in 1457 rector (Rettore Commendatario) of S. Quirico in Legania, and made occasional, considerable profits; but his poverty seems chronic, his money being spent, according to one account, in frequent amours. Vasari relates some romantic adventures of Fra Filippo that modern biographers are not inclined to believe. Except through Vasari, nothing is known of his visits to Ancona and Naples, nor of his capture by Barbary pirates and enslavement in Barbary, where his skill in portrait-sketching helped to release him. From 1431 to 1437 his career is not accounted for. Read the rest of this entry »

Art by Edward Hopper
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Edward Hopper (July 22, 1882 – May 15, 1967) was an American painter and printmaker. His works represented light as it is reflected off of familiar objects. While most popularly known for his oil paintings, he was equally proficient as a watercolorist and printmaker in etching.
The best known of Hopper\’s paintings, Nighthawks (1942), shows customers sitting at the counter of an all-night diner. The diner\’s harsh electric light sets it apart from the gentle night outside, enhancing the mood and subtle emotion of the painting.
Hopper\’s rural New England scenes, such as Gas (1940), are no less meaningful. In terms of subject matter, he can be compared to his contemporary, Norman Rockwell. Hopper\’s work exploits vast empty spaces, represented by a gas station astride an empty country road and the sharp contrast between the natural light of the sky, moderated by the lush forest, and glaring artificial light coming from inside the gas station. All of Hopper\’s paintings have a concentration on the subtle interaction of human beings with their environment and with each other. Like stills for a movie or tableaux in a play, Hopper positions his characters as if they have been captured just before or just after the climax of a scene
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Art by Edward Lear
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Edward Lear (12 May 1812 – 29 January 1888) was an English artist, illustrator and writer known for his literary nonsense, in poetry and prose, and especially his limericks, a form which he popularised.
He was born in Highgate, a suburb of London, the 20th child of Ann and Jeremiah Lear. He was raised by his eldest sister, Ann, twenty-one years his senior. At the age of fifteen, he and his sister had to leave the family home and set up house together. He started work as a serious illustrator and his first publication, at the age of 19, was Illustrations of the Family of Psittacidae, or Parrots in 1830. His paintings were well received and he was favourably compared with Audubon. Throughout his life he continued to paint seriously. He had a lifelong ambition to illustrate Tennyson\’s poems; near the end of his life a volume with a small number of illustrations was published, but his vision for the work was never realised. Lear briefly gave drawing lessons to Queen Victoria, leading to some awkward incidents when he failed to observe proper court protocol.
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Art by Edwin Lord Weeks
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Edwin Lord Weeks (1849-1903), American artist, was born at Boston, Massachusetts, in 1849. He was a pupil of Léon Bonnat and of Jean-Léon Gérôme, at Paris. He made many voyages to the East, and was distinguished as a painter of oriental scenes.
In 1895 he wrote and illustrated a book of travels, From the Black Sea through Persia and India, and two years later he published Episodes of Mountaineering. He died in November 1903. He was a member of the Légion d\’honneur, France, an officer of the Order of St. Michael, Germany, and a member of the Secession, Munich.

Datacraft Sozaijiten Vol. 107 - Vehicles - Transport & Speed
200 Images | JPG | 2950×2094 | 163 MB